by Lynn Mohney of
Prunella’s Workshop
There is nothing quite as exciting as getting to watch
another artist work. Sometimes it inspires me to learn something new; other
times I get itchy fingers to work my own craft. Last weekend, when I visited
Jessica Burko’s studio was no exception.
Jessica’s studio is located in Boston's South End, in a building
that only opens to the public twice a year, and I had the pleasure of joining
her during the SoWa Art Walk. When you first arrive, you see an old warehouse building that appears to have seen better days. Many such buildings have
been converted to art studios, and this is no surprise. However, once you enter
the actual studio, you can feel the magic of a place where people create
beautiful and imaginative pieces of art.
While it was a day that people could come in and browse work
that was for sale, it was also a day of work for Jessica. As people trickled in
through out the day, they could actually stop and see an artist at work, and
hopefully appreciate the time and the effort that goes into creating a piece of
art. Most who came, did stop and watch her.
Jessica creates encaustic mixed media collages, in which she
collects discarded photographs, dilapidated books and paper, sewing
patterns, and a variety of other paper she has found, and upcycles them along with her own original photography into
lovely pieces that are displayed all over her workspace. The encaustic medium
is a combination of beeswax and Damar resin that is heated to their liquid form
and brushed over the piece. Jessica explained with pride that encaustic is the
only true archival medium available dating back to the ancient Egyptians. As an
artist who enjoys utilizing historical techniques in my own work, I found this
aspect of her creations to be particularly intriguing.
All around Jessica’s studio you can see the different stages
of her work, and witness how it has changed over time. In fact, she had a
revelation while I was there, that her work had become very busy over time, as
her life had become hectic, but as things have settled down, her work is
becoming more simplified and cleaner. She took some older work that no longer
appealed to her, and reworked it over the day. You could almost see as she
worked, that she became more relaxed as she altered the pieces. As an onlooker,
it appeared that uncluttering the artwork before her was emptying her mind of
any troublesome thoughts of the past.
Jessica’s creations have a feminine charm to them. They bring
to life themes and issues that seem to particularly effect women, such as home,
family, and work, in a way that celebrates the strength and power women have on
our society. Jessica laughed as she explained to me that her mother thinks she
is very domestic, but as I have thought about it, I would have to agree.
However, I feel her work and her life are very domestic in a very modern way
that should be celebrated. She is someone’s mother, with a home that requires
care and attention. Jessica also works for a living as a professional artist,
which brings many challenges as she balances career with family. It struck me,
as I witnessed not only her work, but a slice of her life, that our
grandmothers were completely domestic, and focused on their homes. They did not
typically have professional jobs. Our mothers’ generation was all about having
a career, and a family on the side. They tried to abandon all things considered
to be domestic and “women’s work.” Now our generation has come along and we are
trying to reconcile what was lost after our grandmothers’ generation while
holding fast to what our mothers gained. I felt that all of these themes were
prevalent and more in Jessica’s work.
I highly recommend you check it out!
