Friday, January 8, 2010

Snow

By Kerry Hawkins of KHawkinsPhoto

I was in Dedham Square on errands and stopped by my favorite little shop, Nest. They have some fun artwork on the walls. I decided to take a short walk around the neighborhood. The love the sound of snow melting, the drip, drip, drip. I also, like to photograph things peaking through the snow or shadows plants or objects make on the snow. I find it challenging to photograph snow and look at clear and vivid as I see it without the camera. I am not a fan of having lots of snow but, it is winter so I am trying to embrace it.

Thursday, January 7, 2010

Inspiration in the Studio

By Rebecca of Hypothesis

Last night I found myself sitting in my studio taking a little break, and I began looking around at my surroundings. I decided to try to determine the most inspiring item I keep next to me while creating work.

I had a lot of options, of course! The room is full of bits and pieces of everything. Some things are sentimental to me and some things were likely sentimental to someone else at some point.

I love the statue of the Virgin Mary that sits on one of my cabinets. She is extremely old and weathered, but she has a lot of charm.

Some of my housemate's unorthodox collections sit on a shelf right over my head. If I'm feeling particularly stuck, they can really give me good ideas.

Anything around me that hasn't become something yet, especially strips and strips of leather, are full of such potential they can't help but be inspiring!

A pliable plastic President's ruler given to me by my mom, a postcard from a friend's work, and a wind-up clicking bunny can all act as muses.

In the end I couldn't decide.

How about you? What do you keep in your creative space to make you feel inspired?

Wednesday, January 6, 2010

Back The Way I Came

by muchachaK (Katy Brown)

I was born in NH, and when I was small, we moved to the West Coast, to the Seattle area, and that is where I grew up. When I was small I danced and sang for hours in my room by myself, I learned songs as I learned to speak, and before I could read. I asked for a piano for my 7th birthday, and that is what I got. We didn't have much money, and I think they got it for free somewhere, but it was beautiful, and sounded amazing. For eleven years, that piano was a friend, an enemy, a lover before I ever knew what a lover truly was.

And I always sang. In school it was embarrassing...the music teacher thought I sang well...I didn't like her pointing it out to the other children. I just loved to sing. I annoyed choir directors by learning the other parts and singing them in the middle of the soprano section.

And I loved to draw. My mother brought me pencils and crayons and pastels and paints and I would use them all up. And grammy taught me to sew.

And I learned to play the viola because I had always wanted to play the violin but there were too many violins in the school orchestra...and still I sang, and played piano, and drew and painted, and other than school, that, all of that, was my life.

As a teenager I discovered theater and that raw feeling of living onstage, when the words are so much yours that you become someone else, not by pretending, but by being.

And through college I sang, and I performed, and I wrote plays, and I became discouraged. By the seeming difficulty of existing as an artist of any kind. And overwhelmed by the intensity of my own creative drive. And I began to live life as one day job after another, because I didn't know any other way to be...but I didn't know how to make it work.

I moved to San Francisco and performed and wrote plays, and danced flamenco. But after a while, I didn't love creating anymore, because I was tired of starving. Tired of struggling with myself. Tired of being tied to dayjobs. Tired of being lost, and nameless, and overworked and underpaid for my craft. I remember filing a tax return during a particularly busy acting year and my total income for my highest paying show was $1000...for four months of work.

I had to escape from that life and suddenly, my heart moved me to a decision...I would move to Spain to dance. But then the money fears took over again, like always and I thought "as much as it sucks to be poor in San Francisco, it's going to suck even more to be poor in a country where I can hardly speak the language".

So I made the biggest money driven decision of my life: I would go to law school. And the thought excited me. I would free myself from this poverty inducing art trap, use my brain, and have a whole new life.

I severed all ties, took the LSAT, got in my car with my father and two cats and a few belongings. I left my boyfriend behond on the sidewalk with the rest of my California life...and drove to New Hampshire.

I'm going to assume that you've figured out where I'm headed with this and get to the point: it was the worst decision of my life...but it was also the BEST.

The best because it utterly forced me to identify my intentions, to claim and name my values. After years of running from myself, I had to stop and acknowledge what I had already known as a small child...that art lives in the core of my being. It's a dominant and valuable aspect of my own self-image. If I went to law school, I would have to sever my ties to my creativity not just for the duration of school, but for as long as it took to pay off those monster student loans. I had to give up every creative outlet, completely. Once the stakes were high enough, I was willing to make a choice, and the choice I made was for love, for soul, for art.

I can't imagine my life without it. Armed with that knowledge, and letting it guide my every choice now, my life has blossomed in ways I could never have anticipated during all those years of denial. I lived in relationship with my creative side, but with one foot out the door at all times as I feared poverty. Now, all feet are in, no apologies are made. I am free to exist without the weight of my own self-doubt holding me back, and I have discovered ways to make some of my creative work profitable.

There are so many ways, in which we artists don't even realize that we apologize for our existence. We are not compensated equally for our work. We are seen to exist beyond the range of "normal". They are "us" and we are "them".

And I just don't care anymore. I am who I am. I am what I am. It took 3,000 miles of driving and a poetic return to my birthplace to claim it, but indeed, I am what I am, and what I am is an artist.

Tuesday, January 5, 2010

My Handmade Christmases, Past and Present

by Lynne of cozycottagecreations

Although the Christmas tree is droopy, the cookies eaten and the sound of carols drifting back into memory, I wanted to take a moment to share with you some of my handmade Christmas goodies.

I was talking to my mother recently about Christmases growing up and which ones stood out more than others. We eagerly agreed that the one that far topped them all was the year my mother made me a Pippi Longstocking doll and my father built my sister and me a dollhouse modelled after our own home.
Yes that's me - in 1974!

It's no surprise then that as soon as I myself became a mother, I couldn't wait to make my children Christmas gifts as well. It's been a goal of mine every year to make a gift for my girls. The busy-ness of the season doesn't always allow me to do this, however. For example, last year I was so absorbed in creating items for the Boston Handmade Downtown Gallery, the time escaped me. And I'm sure I didn't make anything the year my younger daughter was born. That year is a big fuzzy blur.

Here's a look back at a few of the gifts I have made for my daughters, including this year's creations!

There was no way I could let Santa put his goodies in a store-bought stocking!

When I started knitting again, the first thing I made was a little stuffed kitty for my daughter, who was 4 at the time. They were so fun to make that the next year I got carried away and made a family of 4 cats for both of my daughters. Although they're looking a bit ragged now, I'm happy to say that my girls still play with them regularly to this day. They even got dressed up in their fancy jewels for the photo!
I made these picnic mats two years ago. They roll up and have oilcloth on their undersides. Many a tea party these mats have seen!

This year, I pulled out my sewing machine. I love to sew, and don't do it as often as I would like. My girls spend most of their day playing with their dolls, so I thought it was the perfect time to make them some doll clothes. I bought a few patterns off of Etsy, and was on my way!


The girl's loved them, I learned a lot, and I'm looking forward to making more! Here's to a productive and creative 2010!

Monday, January 4, 2010

Monday Mosaic - Garnet

*You must have Flash enabled to see the mosaic. For a free download, please click here.



This week, Boston Handmade celebrates the garnet, January's birthstone.

Sunday, January 3, 2010

An Etsy shop facelift for the new year

by Jessica Burko of Reclaimed To You

I opened my Etsy shop, Reclaimed To You, in 2006 as a venue for selling my smaller artworks on-line. The shop name comes from the method through which I create my art; scavenging, and utilizing discarded materials to create something new. Reclaiming what has been discarded and turning it into art is my small way of reducing the ole' carbon footprint. About two years ago I began knitting and it quickly transformed from a hobby into an obsession, which was compounded by meeting large groups of generous seasoned knitters who encouraged my growing habit by giving me old yarns from their 'stash'. Using their yarn cast-offs got me thinking that I could extend my penchant for scavenging discarded materials by trolling for old yarn at thrift stores, yard sales, and my own remnants from finished knitting projects. It's amazing how much old yarn is out there waiting to become something! I've made many scarves and some small accessories from all the found scraps.
Another type of work I've been creating, for much longer than two years, is a series of one-of-a-kind notecards and gift tags from reclaimed papers. This type of collage grew out of my artwork many years ago as I couldn't bear to throw away small paper scraps left over from my larger pieces. I am always saving trims from prints, loose book pages, calendars - you name it, if it's paper, I have it in a pile in my studio. These types of little paper pieces lend themselves beautifully to small cards and tags and they are also really fun to make - - I find that small projects between much bigger ones keep the creative juices flowing.
Since all of these efforts tie into my concept of Reclaimed To You it seemed only natural to combine them into my Etsy shop. Upcycling, recycling, reusing all leads to less junk in landfills and a cleaner earth. Even if it's only one small item at a time, I'm glad to be creating the work and I hope you enjoy my shop's new facelift!

Saturday, January 2, 2010

My Turn: Finding Time For Me

by Colleen Baker of Tactile Baby

This time of year has me yearning for a cup of tea, a warm fire, a crisp new sweater pattern (for me) and a few skeins of a luxurious yarn.With the holiday rush is behind me I finally have some time to venture out to my favorite yarn shops, to pawn over the new shades and fawn over fiber combinations of merino, cashmere, alpaca, bamboo and organic cotton.

Once I decide on the color/yarn of my dreams I'll go off to my studio to flip through the mountain of knitting books that line my bookshelves emerging only when I have settled on the perfect pattern. At this point you may be saying to yourself "wait a second, that's backwards; shouldn't you pick your pattern first and then decide on the yarn?" Yes, most people do prefer this method, but for me it's always been about the fiber. As the name of my shop, "Tactile Baby" suggests I'm all about touch, feeling and texture.

The nearly simultaneous births of my son and my business have left me with few opportunities to knit for myself. This makes the short window of time I can find for myself in January a precious moment that demands that I make the most of my time and (much depleted) energy.

Recently, quite unexpectedly, I found myself in fiber fine fibers. I was home for the Thanksgiving holiday and was cruising the aisles of one of my favorite craft fairs, Scattered Seeds, when I happened upon their booth. Of course I was in the middle of the holiday rush myself and looking for gifts for friends and family,(none of whom knit) but I couldn't resist a peek. What I found was a tiny slice of paradise. Sheeples is a two person, 300+ sheep (sheep+people=sheeples), operation, run not too far from my family's summer cabin in the Interlake of Manitoba.

The flock is made up of a variety of high end sheep specifically bred for excellence in fleece (Medium Longwool breeds such as Romney, Leicester, Corriedale and Cotswold have been crossed with Fine wool breeds including: Finn, Tunis and Merino. The result is an unimaginably soft, long and oh so lustrous yarn.

I left the Sheeples booth with a bag of candy floss pink pindrafted roving and a promise to return for a visit to the farm on my next trip home. And although I haven't quite decided what I'm going to make-up with my 500 yards, I look forward to finally having the time to find the perfect project.

Friday, January 1, 2010

New Year, New Bench

by Nancy of nancyrosetta

Santa left me a couple of huge boxes under the tree this year. After three hours of reading directions, cabs and bolts, screws and wooden pegs...this is what I put together.
It's a new year, and I have a new workbench! I am very excited to get my studio clean and organized in my January downtime.

Happy New Year, Everyone!
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