Friday, October 26, 2007

Ambient Design is Now Paper Menagerie

by Angela Burke Kunkel


Often craftspeople and artists discover a new interest or mode of expression--- precisely what happened to me after I had heatherjeany from Etsy create handmade Gocco invitations for my wedding. Before I knew it, I was having a Gocco shipped from Japan (they're currently out of production) and was smeared with ink and covered with paper cuts. It was a great excuse to explore old books for vintage illustrations and play with words.

My Gocco cards and prints have been so well received that I am currently transitioning from jewelry to paper goods--- all items can be found at my new Etsy shop under the name Paper Menagerie.

Wednesday, October 24, 2007

Organize Your Studio

by Dawn Wilson of Creatively Anew

Since organizing my studio space for Creatively Anew it has been so much easier to find things instead of rummaging through everything a million times looking for the item I want to use. Using clear plastic containers that are labeled and shelves I have finally organized my work space and get more artwork done.

So I asked my fellow Boston Handmade crafters, “How do you organize your studio?”


Jennifer Hill of JHill Design has some great ideas, "First a HUGE wall covered in chalkboard paint helps in the office. Then our desks are hollow wooden doors on file cabinets, cheap, long and lots of storage. We have two Ikea cubby shelves that are great for putting books, magazines and such away - but keeping it accessible."


Katy of Muchacha K Handmade says, " I can't claim to be an organizational genius, but I know a good idea when I see one. I totally stole the 'Jay McCarroll' method of fabric storage from Project Runway. You know the episode where they went to his house and he has all the cubbies of fabric with all the fabric organized by color? In my apartment in California I had an entire closet dedicated to fabric and sorted by color. And when I opened my studio last month here in New England that's exactly what I did again. It's not only visually satisfying, but it serves practical purposes as well. When clients want to pick fabrics they are usually brides and they always know what colors are either going to be in their wedding or are preferred by their bridesmaids. It's easier for them to see what I have if it's pre-sorted by color. It also makes my life easier when I'm trying to pair up certain color combinations."

Jessica Burko of Reclaimed To You responded by saying, "After many years of having my studio/living room/dining room/bedroom in my home I now have a work space in Boston's South End neighborhood. The space allows me to make a mess and not clean it up right away, experiment with smelly and sloppy materials and not worry about living with it around the clock, and best of all - in this space I have been able to spread out."


"My general set-up is divided into three parts: work area, storage area, and display area. I work in the middle of the room on two large tables facing a wall where I hang finished work and work in progress - I find that while I am creating a new piece it is helpful to look up and see where I have come from and to be able to tack something vertically to step away from it for a different vantage point. The remaining three sides of the room are filled with supplies and storage of finished work.

The three best tips I can give for a useable and organized studio: shelves, shelves, shelves. I have all of my tools, equipment, supplies, framed art, and art fair gear on two metal shelving units. Shelving is a great way to utilize the ceiling height in the space, and lets me quickly see where things are when needed. When I have events in my studio I pull down 'curtains' made of dollar store bed sheets so that all my storage is concealed."


And Betsy from Stonehouse Studio says “My studio is a work in progress. It's not very stylish, but it's functional. I have four workstations, the first being my main table for polymer and metal work. My second workstation is for jewelry fabrication and stringing. The third is a general use area. This is where I polish my polymer work and organize and package my finished pieces. My fourth workstation is my business area. This is where I keep my laptop, phone, printer and filing cabinets. Finally, bookshelves and a couple of those nasty plastic drawer thingies for storage. And, last but not least, a comfy chair. Otherwise my muse simply doesn't show up!”


Hopefully all of these organizational methods will inspire you to try new things with your space.

Tuesday, October 23, 2007

Monday Mosaic - Working Girls

Ok, it's one day late - but it is still awesome!

Thank you to Mimi K for putting together this mosaic of Working Girls - So many shows, projects, products - so little time!

Seen in this mosaic are:
Muchacha K Handmade
Relaxation Works
Elizabeth Brennick Designs
Amy Olson Jewelry
Mimi K
JHill Design
Paper Menagerie
Ship by RLS
Reclaimed To You

Friday, October 19, 2007

The Amazing Skinner Blend

Polymer clay has been around since the 1940's, developed for doll makers and sculptors. Then it was discovered by elementary school art teachers, who liked the fact that it was non-toxic, easy to work and cured in a regular oven - great for kids!

But leave it to an artist to find other uses for polymer. By the late 80's, Pier Voulkus, Donna Kato, Kathleen Dustin, Ford/Forlano among others, were experimenting and developing new techniques in this fascinating medium. These artists were drawn to polymer primarily because of color. Polymer colors maintain their integrity and mix beautifully. Then, in the mid 90's, Judith Skinner came along, and her color blending technique revolutionized the polymer clay world. It's amazing how something so simple can have such an impact!

Here's an example of a two color Skinner Blend. Two triangles, one of zinc yellow and one of metallic silver are folded, matching like color to like color. Then run through a pasta machine, which is used to condition and sheet the clay (image 1) The colors begin to blend, forming stripes (image 2) As you continue to run the blend through the pasta machine, you'll eventually end up a graduated color blend (image 3 and 4)
A three color Skinner Blend of red, blue and yellow will result in a blend of the original primaries plus all secondary colors - green, orange and violet. It's like creating a rainbow with a pasta machine!

Here's one of my necklaces using a zinc yellow and silver Skinner Blend, then silk screened with iridescent acrylic paint.

Submitted by Betsy Baker – Stonehouse Studio

Thursday, October 18, 2007

JHll Design's Inspiration Wall


Last year, when I first redesigned my studio, I didn't put up my bulletin board. Instead I painted one HUGE wall with chalkboard and this is where I was going to write all my notes. This worked for about 2 days before I felt a huge void, where was I going to post all my inspiration pieces? So I took down some artwork and up went my bulletin board. I loved Jessica's previous post, seeing what things are on her board so I thought I would share mine.

Some highlights include:
• My Girl Scout sash complete with badges
• Drawings from previous calendars that I want to revisit
• A new sea urchin pattern for a large rug
• A beautiful mailer showcasing artist Linda DeHart's paintings
• A post card for another favorite artist Lisa Houck
• Tickets to go see my boyfriend's favorite band Ween
• Stamps, I always collect cool stamps and never use them, no matter how dire the situation
• Lucky numbers! cleaning out some of my Grandmother's things I found her lucky megabucks numbers

I always rotate things on the board, sometimes going through the layers can be the equivalent of a small archaeological dig.

So... What is on YOUR inspiration wall?

Wednesday, October 17, 2007

Inspiration Wall

What do you do with all the stuff you find?

I am constantly pipping images out of magazines, clipping how-to articles, keeping postcards I get in the mail, and experimenting with different art techniques. I put all these clippings and objects in a place where I see them every day - my Inspiration Wall. The "wall" is a piece of cork board painted white that I have installed in my home office. I currently have pinned up some of my own art experiments, a piece that was made by Dawn Wilson of Creatively Anew, photos I bought at a flea market, a how-to for making a photo album of photos with a glued spine, and a random assortment of other inspirational tidbits from magazines such as Art In America, Martha Stewart, Real Simple, Art New England, and the Globe Sunday magazine.

What's on YOUR inspiration wall?

by, Jessica Burko of Reclaimed To You

Monday, October 15, 2007

Saturday, October 13, 2007

the thirteenth with thirteenthstory: pages from a pillow book

A pillow book is a collection of writings and drawings that have been
collected to show a period of someone's life. Its similar to a
journal or diary in that it documents time, emotion, and events in
one's personal experience.



At the last moment of the day, I turn to mine and make an entry. Its
always in ink or paint; there is no erasing, no perfection, no limits,
and no witness. Its as raw as my art ever gets. It is swift and
cathartic.

This page was done in nailpolish:



I've found that keeping a pillow book not only helps me unwind from
each day, but helps my creative process stay loose. If you have any
questions, or want to share pages from your own pillow book, please do
so in the comments.

Thanks and be well.

- Jaye of
thirteenthstory
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