Wednesday, October 31, 2007

Getting to Know Jaye Thirteenth

by, Amy Olson of Amy Olson Jewelry

Recently I had the pleasure to get to know Jaye Thirteenth of thirteenth story, a member of Boston Handmade, a little better. By reading her 'profile' from her etsy site, I found out that she is not only an illustrator, but is also a tattoo artist and comic book writer as well! I was thrilled to find this out and intrigued to learn more, so I put together a few questions and set up an interview with Jaye. Now you can get to know her a little better too!

AMY: How old were you when you first start drawing and how old are you now?

JAYE: My earliest surviving drawing is a windmill done in magic marker on wood- the wood on my fathers desk to be specific. I learned that I couldn't draw on the walls, but nobody said anything about the furniture. From the style of it I'd guess I was six years old; and I just turned 34 in September.

AMY: How did you get into tattoo artistry? How did that lead you into what you create today?

JAYE: My first tattoo design was done in college. A guy in one of my classes saw me drawing all over my notebook, and asked if I could draw a skull with a beret. How could I pass that up? From there it was band logos, eagles, tribal cuffs, and even a
few for myself. Working with someone else on a design for their own skin is a fantastic process. Its a humble undertaking, one rarely about what I would like and always about what they want. Today, I can easily see the path I took from tattoos to my current art. I often use the word "iconic" to describe my style, because they are bold images with a clean use of color, much like tattoos.

AMY: How were you trained?

JAYE: Self taught. And I think I've improved quite a lot since that windmill.

AMY: What inspires you?

JAYE: The two biggest influences on my work are print advertisements and comic art. I've always been enthralled with a good poster, including ones from the Lautrec era, as well as present day concert fliers. Growing up I had magazine covers and ads taped to my walls. Graphic novels and comic books are a more obvious approach to marrying storytelling and drawing, and they have a lot to offer in terms of pacing, layouts, and use of black. Images that make a statement, tell a story, or create a quick sense of wonder are right up my alley, and teach me constantly about composition.

AMY: Where do you sell your work?

JAYE: On etsy.com there are originals, prints, and zines. My other major venue is craft fairs and art shows, which are always announced on my once-per month mailing list. Occasionally I pick up a tattoo design or music design gig from craigslist, and those have been a ton of fun.

AMY: So, you are taking a break from your full time job?

JAYE: Ooooh yeah. I am a property manager and I will always have over ten years experience in that field to rely upon, but now I am taking time off to focus on art. I've been working hard since I was fifteen years old, and I am more than ready to take the risk of making art full time. Of course, I am busier than ever now that I am doing something that I love. I've got lists and lists of projects I've never gotten the chance to sink my teeth into because of time constraints, but that is changing and I find myself getting up earlier in the mornings and enjoying every moment of the day.

AMY: How will you focus more on your art now that you have more time?

JAYE: Being extremely organized helps. I use a calendar to map out my entire day; there are blocks for eating and exercise in tandem with blocks for different creative projects and business needs. For example, a couple hours cartooning, an hour answering emails, a trip to the Post Office, another chunk of time for life-drawing sketches. I keep every day different and flexible enough to also handle appointments, marketing, grant or show applications, and housework.

AMY: Tell me more about your new cartoon and what compelled you to make this decision?

JAYE: FIN is my first cartoon series, and it truly embraces the art style that I've been developing for years. He is a ninja, born on the pages of my sketchbook. He's a bit of a menace, and a totally endearing addition to my creative process. As a fan of comic art, it was inevitable for me to meld my art and cartoons. There are a few other stories I have scripted, and will soon start drawing them as well.

AMY: Do you have an artist statement? If so, I'd love to hear it!

JAYE: Nope, not yet. its one of the first business related things I'll be doing in November, as many grant applications call for one.

AMY: From drawing to cartoons, to zines, to tattoos... do you have a favorite?

JAYE: All of them! To me, art is a fantastic tool for storytelling, and in every one of those mediums I get to play with stories. I invite everyone to check out my website, thirteenthstory.com and thank you for reading this interview.

Tuesday, October 30, 2007

Music to Our Ears - Part 1

by, Karalee of Karalee Designs

I asked the Boston Handmade girls what types of music inspire them while working on their newest and greatest designs. Here is part one of the listening pleasures...

Katy of Muchacha K Handmade
Spoon - Gimme FictionSpoon - Girls Can TellSpoon - GaGaGaGaGaSam CookeSweetback
"I always, ALWAYS listen to music while I'm working in the studio. I will listen to the same thing over and over too, until I get sick of it. Right now (for like 6 months) it's the sexy sounds of Spoon...yeah, sexy and sewing do go together, go figure. I have three Spoon albums that I keep repeating: Gimme Fiction, Girls Can Tell and GaGaGaGaGa. For a Spoon break I've been popping in Sam Cooke and the occasional Sweetback. But I get on a kick like that...good thing I have my own studio or I'd have a studio mate writing Dear Abby letters "Dear Abby, my sick studio mate has been listening to the same friggin' albums over and over and I hate her now, should I tell her or just move out?" I think I feel an Air Supply marathon coming on though...awwwwyeaaaaaah...maybe Air Supply and Barry Manilow....yes! Or an Air Supply, Manilow, JOURNEY trifecta...with a Megadeth chaser...oh wow..."

Jaye of thirteenthstory
The Accompanist
"When I am drawing I love to listen to soundtracks. My favorite are the ones for The Accompanist and Guenevere."

Mimi of Mimi K
"For many years I have listened to audio books while I work. I used to listen to classics and great books, now mostly what I like to call audio fluff :-) I have recently discovered podcasts and I am tracking down all sorts of goodies to listen to. I recently listened to all the podcasts on Craftypod."

Karalee of Karalee Designs
Erin McKeownAni DifrancoEddie VedderJoshua RadinThe Weepies
"Rocking my ipod at the moment are a mix of my favs Erin McKeown (Boston - you just missed her), Ani Difranco, anything with Eddie Vedder (his new cd from the " Into the Wild" soundtrack is totally up to Vedder fan standards), Joshua Radin and The Weepies (cause everyone needs a little weepie in their life)."

Thanks for sharing ladies...more next month...

Monday, October 29, 2007

Halloween Mosaic


Boston Handmade- Halloween
Originally uploaded by Mimi K
Trick or treat!

A spooky Monday Mosaic in honor of Halloween this Wednesday - thank you to Mimi K for putting it together!

Images included by and of:
Pogibabies Handmade
Reclaimed to You
Muchacha K
Stonehouse Studio
Cozy Cottage Creations

Happy Halloween!

Friday, October 26, 2007

Ambient Design is Now Paper Menagerie

by Angela Burke Kunkel


Often craftspeople and artists discover a new interest or mode of expression--- precisely what happened to me after I had heatherjeany from Etsy create handmade Gocco invitations for my wedding. Before I knew it, I was having a Gocco shipped from Japan (they're currently out of production) and was smeared with ink and covered with paper cuts. It was a great excuse to explore old books for vintage illustrations and play with words.

My Gocco cards and prints have been so well received that I am currently transitioning from jewelry to paper goods--- all items can be found at my new Etsy shop under the name Paper Menagerie.

Wednesday, October 24, 2007

Organize Your Studio

by Dawn Wilson of Creatively Anew

Since organizing my studio space for Creatively Anew it has been so much easier to find things instead of rummaging through everything a million times looking for the item I want to use. Using clear plastic containers that are labeled and shelves I have finally organized my work space and get more artwork done.

So I asked my fellow Boston Handmade crafters, “How do you organize your studio?”


Jennifer Hill of JHill Design has some great ideas, "First a HUGE wall covered in chalkboard paint helps in the office. Then our desks are hollow wooden doors on file cabinets, cheap, long and lots of storage. We have two Ikea cubby shelves that are great for putting books, magazines and such away - but keeping it accessible."


Katy of Muchacha K Handmade says, " I can't claim to be an organizational genius, but I know a good idea when I see one. I totally stole the 'Jay McCarroll' method of fabric storage from Project Runway. You know the episode where they went to his house and he has all the cubbies of fabric with all the fabric organized by color? In my apartment in California I had an entire closet dedicated to fabric and sorted by color. And when I opened my studio last month here in New England that's exactly what I did again. It's not only visually satisfying, but it serves practical purposes as well. When clients want to pick fabrics they are usually brides and they always know what colors are either going to be in their wedding or are preferred by their bridesmaids. It's easier for them to see what I have if it's pre-sorted by color. It also makes my life easier when I'm trying to pair up certain color combinations."

Jessica Burko of Reclaimed To You responded by saying, "After many years of having my studio/living room/dining room/bedroom in my home I now have a work space in Boston's South End neighborhood. The space allows me to make a mess and not clean it up right away, experiment with smelly and sloppy materials and not worry about living with it around the clock, and best of all - in this space I have been able to spread out."


"My general set-up is divided into three parts: work area, storage area, and display area. I work in the middle of the room on two large tables facing a wall where I hang finished work and work in progress - I find that while I am creating a new piece it is helpful to look up and see where I have come from and to be able to tack something vertically to step away from it for a different vantage point. The remaining three sides of the room are filled with supplies and storage of finished work.

The three best tips I can give for a useable and organized studio: shelves, shelves, shelves. I have all of my tools, equipment, supplies, framed art, and art fair gear on two metal shelving units. Shelving is a great way to utilize the ceiling height in the space, and lets me quickly see where things are when needed. When I have events in my studio I pull down 'curtains' made of dollar store bed sheets so that all my storage is concealed."


And Betsy from Stonehouse Studio says “My studio is a work in progress. It's not very stylish, but it's functional. I have four workstations, the first being my main table for polymer and metal work. My second workstation is for jewelry fabrication and stringing. The third is a general use area. This is where I polish my polymer work and organize and package my finished pieces. My fourth workstation is my business area. This is where I keep my laptop, phone, printer and filing cabinets. Finally, bookshelves and a couple of those nasty plastic drawer thingies for storage. And, last but not least, a comfy chair. Otherwise my muse simply doesn't show up!”


Hopefully all of these organizational methods will inspire you to try new things with your space.

Tuesday, October 23, 2007

Monday Mosaic - Working Girls

Ok, it's one day late - but it is still awesome!

Thank you to Mimi K for putting together this mosaic of Working Girls - So many shows, projects, products - so little time!

Seen in this mosaic are:
Muchacha K Handmade
Relaxation Works
Elizabeth Brennick Designs
Amy Olson Jewelry
Mimi K
JHill Design
Paper Menagerie
Ship by RLS
Reclaimed To You

Friday, October 19, 2007

The Amazing Skinner Blend

Polymer clay has been around since the 1940's, developed for doll makers and sculptors. Then it was discovered by elementary school art teachers, who liked the fact that it was non-toxic, easy to work and cured in a regular oven - great for kids!

But leave it to an artist to find other uses for polymer. By the late 80's, Pier Voulkus, Donna Kato, Kathleen Dustin, Ford/Forlano among others, were experimenting and developing new techniques in this fascinating medium. These artists were drawn to polymer primarily because of color. Polymer colors maintain their integrity and mix beautifully. Then, in the mid 90's, Judith Skinner came along, and her color blending technique revolutionized the polymer clay world. It's amazing how something so simple can have such an impact!

Here's an example of a two color Skinner Blend. Two triangles, one of zinc yellow and one of metallic silver are folded, matching like color to like color. Then run through a pasta machine, which is used to condition and sheet the clay (image 1) The colors begin to blend, forming stripes (image 2) As you continue to run the blend through the pasta machine, you'll eventually end up a graduated color blend (image 3 and 4)
A three color Skinner Blend of red, blue and yellow will result in a blend of the original primaries plus all secondary colors - green, orange and violet. It's like creating a rainbow with a pasta machine!

Here's one of my necklaces using a zinc yellow and silver Skinner Blend, then silk screened with iridescent acrylic paint.

Submitted by Betsy Baker – Stonehouse Studio

Thursday, October 18, 2007

JHll Design's Inspiration Wall


Last year, when I first redesigned my studio, I didn't put up my bulletin board. Instead I painted one HUGE wall with chalkboard and this is where I was going to write all my notes. This worked for about 2 days before I felt a huge void, where was I going to post all my inspiration pieces? So I took down some artwork and up went my bulletin board. I loved Jessica's previous post, seeing what things are on her board so I thought I would share mine.

Some highlights include:
• My Girl Scout sash complete with badges
• Drawings from previous calendars that I want to revisit
• A new sea urchin pattern for a large rug
• A beautiful mailer showcasing artist Linda DeHart's paintings
• A post card for another favorite artist Lisa Houck
• Tickets to go see my boyfriend's favorite band Ween
• Stamps, I always collect cool stamps and never use them, no matter how dire the situation
• Lucky numbers! cleaning out some of my Grandmother's things I found her lucky megabucks numbers

I always rotate things on the board, sometimes going through the layers can be the equivalent of a small archaeological dig.

So... What is on YOUR inspiration wall?
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